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Most Explicite Movie Of the Century

Maverick British director Michael Winter bottom's ultra-graphic, 69-minute romantic love story was composed of the recollected memories of a male's affair with a female while flying over the snowy wastes of Antarctica. The film followed a traditional romantic arc, from initial infatuation, to passionate love, and then disenchantment and the end of a relationship. It was artistically shot in digital chiaroscuro and released unrated, and consisted almost entirely of real-time, unstimulated sex scenes beginning with commonplace sex - and then culminating with more experimentation. This sexually-explicit, naturalistic mainstream British film brought up the main question: "Is this porn or cinematic art?"

The film was told from a single viewpoint, recalling the adventurous physical encounters over time between the young couple: 31 year old young glaciologist Matt (Kieran O'Brien) and slim, flat-chested yet attractive 21 year-old American vagabond exchange student Lisa (Margo Stilley) in London, interspersed with nine live-concert songs (the film's title) which supplemented the story line with their lyrics. She realized that she was very skinny and flat, and asked Matt as she stood before a mirror: "Do I look like a boy?" He assured her: "Yeah, that's one of the reasons why I like you."

The explicit scenes included sexual intercourse (often in closeup), including oral sex (both male and female), masturbation, penetration, bondage, anal sex, and ejaculation.

In the bathtub scene, she played with his penis between her feet, and in the bedroom blindfold scene, he told her to fantasize that she was pleasuring herself and being watched as he massaged her body and delivered cunnilingus: "You're on a beach in Thailand. Your eyes are closed so you can't see anything. You feel them watching you" -- she continued the narration as she was orally pleasured by him:

There's a couple behind me to my right. I can feel them looking at me. I put my hand between my legs. Oh, I'm so wet. Then she slides down her boyfriend's body. She has the most amazing breasts. Oh, god. And she's rubbing them. (Deep breath) And she's covered with oil. And she leans over to her boyfriend, grabs his balls, and puts his cock in her mouth. F--k me, man! Come up here and f--k me. Come up, come up here and f--ck me. F--k me. (He entered her, wearing a condom) F--k me faster. F--k me.

Later, she confessed to him, "Sometimes when you kiss me, I just wanna bite you and not in a nice way. Like I want to hurt you, like I want to bite your lip really f--king hard and make you bleed."

After a table-dance experience in a night-club where she was the lesbian-esque recipient (not him!), she intensely masturbated to a white, buzzing dildo/vibrator by herself - and shortly later laid back limply on the bed and allowed him to watch her self-love, although he appeared disinterested and returned to the kitchen -- the turning point in their loss of intimacy.

During their love/power struggle, however, they continued to have make-up sex as things fell apart -- she reversed positions with him and gave him fellatio, to completion - the film's most explicit scene. She gave him a book on Antarctica for his birthday, and read portions to him, possibly deeply symbolic of their own demise: "The ice is everywhere and everything. It spreads to all sides, an unbounded void of alien whiteness and geometric rigor. Antarctica is the highest, windiest, driest continent..." Earlier, he had prophetically said this about his explorations in Antarctica: "Claustrophobia and agoraphobia are in the same place - like two people in a bed."

Eventually, she told him that she was going back to America - and had added: "Sometimes, you have to have faith in people" - and in narration, he said: "She was happy to be leaving." The day she flew from London was the first time she invited him to her apartment - "She didn't want any goodbyes."

Source : Filmsite

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